Peyton Place | |
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Original title card (1964–1966) |
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Genre | Soap opera |
Created by | Grace Metalious (original 1956 novel) |
Starring | Dorothy Malone Mia Farrow Ed Nelson and a cast of over 200 actors in primary and secondary roles |
Theme music composer | Franz Waxman |
Opening theme | "Theme from Peyton Place" |
Country of origin | United States |
Language(s) | English |
No. of seasons | 5 |
No. of episodes | 514 |
Production | |
Executive producer(s) | Paul Monash |
Producer(s) | Everett Chambers Richard Goldstone |
Camera setup | Single-camera |
Running time | 22–24 minutes |
Production company(s) | 20th Century Fox Television |
Broadcast | |
Original channel | ABC |
Picture format | Black-and-white (1964–1966) Color (1966-1969) |
Audio format | Monaural |
Original run | September 15, 1964 | – June 2, 1969
Chronology | |
Preceded by | Peyton Place (film) |
Followed by | Return to Peyton Place |
Peyton Place is an American prime-time soap opera which aired on ABC in half-hour episodes from September 15, 1964 to June 2, 1969.
Based upon the 1956 novel of the same name by Grace Metalious, the series was preceded by a 1957 film adaptation. A total of 514 episodes were broadcast, in black-and-white from 1964 to 1966 and in color from 1966 to 1969. At the show's peak ABC ran three new episodes a week. Produced by 20th Century Fox Television, Peyton Place is the only prime-time series ever to run episodes continuously without reruns. A number of guest stars appeared in the series for extended periods, among them Dan Duryea, Susan Oliver, Leslie Nielsen, Gena Rowlands, and Lee Grant, who won an Emmy Award for Outstanding Performance by an Actress in a Supporting Role in a Drama for her role of tough-as-nails Stella Chernak. The series served as the springboard for such performers as Mia Farrow, Ryan O'Neal, Chris Connelly, David Canary, Mariette Hartley, and Lana Wood.
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The series opens with the church steeple overlaid with the words "Peyton Place", with a toning of church bells. Announcer Dick Tufeld announces "This is the continuing story of Peyton Place." The scene changes to scenes of the town square, a rolling brook, and a panoramic view of Peyton Place. It dissolves to cast members, and then narration of previous episode events by Warner Anderson, who also played Matthew Swain. In 1966, the message was changed to "In color, the continuing story of Peyton Place." Warner Anderson left the series after the first season, but continued as narrator to the series until the final episode.
With Peyton Place, the American Broadcasting Company hoped to bring the success of the English soap opera Coronation Street to America. Inspired by that soap opera, it was decided that it should be aired in prime time.[1] Producer Paul Monash wanted to launch a revival of Grace Metalious's novel of the same name. He refused to acknowledge it as a soap opera, calling it a 'high-class anthology drama'.[1] An hour long pilot was shot in 1962. Originally, the Cross family from the novel was included, but when Irna Phillips was contacted to change the pilot, she decided to scrap it. Various disagreements between the makers ensued and the official pilot was not aired until September 15, 1964.[1]
When the series premiered in late 1964, it marked the birth of the American soap opera.[2] The early stories were adapted from the 1956 book and 1957 film of the same name, although some principal character names and occupations were changed or simply eliminated. Some sensational plot lines from the novel, like incest, were replaced with less controversial themes, like teen pregnancy.[1] Nevertheless, the series was immediately criticized for the sexual themes it dealt with.[3]
Despite a budget of only $60,000 an episode, Peyton Place was an instant hit. Especially in the early years, it had loyal following from fans around the world.[4] Originally, it was aired twice a week, but because of its success, it was increased to three airings a week in June 1965.[5] When Dorothy Malone was rushed into emergency surgery, the producers were faced with the dilemma of what to do with her character Constance, who at that point was too deeply embroiled in the plot line to disappear without reason. Lola Albright was hired to take over the role and continued in the series until Malone returned.
The show's downfall began in September 1966. Ratings dropped after Mia Farrow's departure. Farrow never expected the show to become a success and immediately tried to get out of her contract when the show started its airing. On the urging of her then husband Frank Sinatra, the producers decided to write her off the show in the summer of 1966.[6] The character Rachel Welles, portrayed by Leigh Taylor-Young was written into the show as her replacement.[6] The addition of Taylor-Young's character was not successful in increasing the ratings, however. The show was soon cut back to two airings a week.[5] By 1968, most of the original characters were already written out of the show. Critics agreed the show had become 'dated'.[5] The writers, already beginning work on what would be the final season, announced several new characters would be written into the show. They would deal with 'electrifying subjects, the war, the draft, riots, music, God, and godlessness'.[5] Although several well known actors were added to the cast, including Ruby Dee, it was canceled on June 2, 1969.
In the first episode, Dr. Michael Rossi (Ed Nelson) arrives from New York City to set up practice in town. Newspaper editor Matthew Swain (Warner Anderson) tells him people usually try to get away from towns like Peyton Place, not move to them. Matthew's third cousin Allison MacKenzie (Mia Farrow), a close friend of classmate Norman Harrington (Christopher Connelly), has begun to fall in love with his older brother Rodney (Ryan O'Neal); she is smitten as soon as they share their first kiss. At the end of the episode, Allison's mother, Constance (Dorothy Malone) makes it clear she disapproves of her daughter's newfound relationship with Rodney.
Rodney is startled to find his father Leslie (Paul Langton) in a passionate embrace with his secretary Julie Anderson (Kasey Rogers), the mother of Rodney's girlfriend Betty (Barbara Parkins). Confused, Rodney tells Betty he cannot date her anymore and begins to see Allison instead. Betty, confused and hurt because he offered no reason for breaking up with her, discovers she is pregnant and tells Rodney. He agrees to marry her, and when Betty miscarries their child, she does not tell him until after they are wed. However, they soon find out they are not meant to be together and file for divorce.
Midway through the first season, another principal character arrives in Peyton Place. Elliot Carson (Tim O'Connor), Allison's birth father, had been imprisoned for the murder of his wife Elizabeth, though the actual culprit is Catherine Peyton Harrington (Mary Anderson), Rodney's spoiled and manipulative mother. Only after Elliot is shot by Betty's disturbed father George Anderson (Henry Beckman) does Leslie Harrington feel conscientious enough to promise to clear Elliot's name. After Leslie tells the Peyton family attorney {Patrick Whyte} that Catherine committed the murder, the reaction makes him realize that most people will believe that Leslie is the real culprit who is dragging his dead wife's name through the mud, a suspicion that rears its head throughout the run of the show especially when Catherine's father, the show title town's patriarch, becomes a dominant regular character long after initial mentions about him. Elizabeth Carson's affair and murder have been noted by scholars for setting up the town's legacy of transgressive women.[7]
With his name clear, Elliot eventually clears his name and marries Constance, but their decision to reveal to Allison that he is her father, and that they hid that fact from her to protect her from association with an accused murderer, does not go over too well with a daughter who had a firmly established view of the fictionalized father she had been brought up to believe in. Meanwhile, Norman falls in love with working class girl Rita Jacks (Patricia Morrow), whose mother Ada (Evelyn Scott) works in a tavern. They start a relationship, but Norman is constantly bothered by her aggressive ex-boyfriend Joe Chernak (Don Quine). Rodney tries to defend his brother and lands into a fight with him, during which Joe accidentally dies.
All of this is witnessed by Kim Schuster (Kimberly Beck) the six-year-old deaf daughter of David (William Smithers) and Doris (Gail Kobe). She did not want to move from New York City to Peyton Place and as a result, starts to rebel against her mother. She only bonds with Allison, who serves as her babysitter.
The first half of the second season focused on the Joe Chernak death trial against Rodney, who is sued by Detective Attorney John Fowler (John Kerr) for murder. Rodney proclaims he is innocent, but soon more people turn their back to him. Only Allison truly believes in his innocence. The murder trial is worsened by Joe's sister Stella (Lee Grant), who arrives in Peyton Place to see Rodney put behind bars. She starts spreading lies about him and even gives false testimony. She is soon hated by almost everyone in Peyton Place, except for Michael, with whom she becomes romantically involved. Rita and Kim are also having emotional trouble with the trial. Rita feels it is all her fault, but Norman stays by her side and they eventually elope and move in with each other. Kim is forced to give testimony, but she is traumatized by the night of Joe's death, after which Doris decides Peyton Place is not the right environment for her daughter to live in. Rodney is eventually found not guilty and Stella leaves town, much to the delight of almost everyone.
Another plot in the early part of this season involves Allison, who is hit by a car and lands in a coma. John's wife Marian (Joan Blackman) is the one who hit her, but she hides the evidence, fearing punishment. Elliot especially is determined to find out who is guilty. When Allison awakens, she cannot remember what happened the past year, including the revealing of Elliot being her real father and Rodney being on trial. Michael advises Constance not to tell Allison about Elliot, claiming it will work against her recovery. This troubles Elliot, who is angry for not being allowed to see his daughter. When Allison eventually finds out the entire truth, she finds it too hard to deal with and starts to rebel, for example by cutting her hair. This causes a lot of pain to Constance, who is denounced by her own daughter. In the end, Michael makes clear to Allison she is acting selfishly and convinces her to return home. She and Rodney continue their relationship, but they soon find out they have only a little in common and break up.
The second half mostly focuses on an accident involving Chris Webber (Gary Haynes), who is allegedly pushed off a cliff by Ann Howard (Susan Oliver) and blinded. Chris's tough brother Lee (Steve Oliver) accuses Ann, who leaves town with her father. She returns to prove her innocence. Lee is determined to bully her out of town, and his wife Sandy (Lana Wood) is pushed toward Rodney, who works for Lee. Meanwhile, Ann befriends Allison and becomes romantically involved with Michael.
Hannah Cord (Ruth Warrick), the housekeeper of patriarch Martin Peyton (George Macready), is determined to make Ann leave town as well. Martin is the father of Catherine and grandfather of Rodney and Norman. He intimidates everyone in town, except for Betty, who is not afraid to talk back to him. He likes that in her and hires her as his second housekeeper. Hannah, meanwhile, carries a dark secret about her son Steven's (James Douglas) past. Steven was already introduced in the first season as Rodney's lawyer and later marries Betty. However, he remains suspicious of her rumored affair with Rodney. After it is established that Steven has spent much of his life with Hannah Cord and Martin Peyton, Betty and the Harringtons expect that he will reveal that Martin Peyton is his father. When Betty asks him about it point blank, he startlingly reveals that he himself does not know: that he has always been waiting for them to tell him. Even though Hannah and Martin obviously know of Steven's expectation to be told of his apparent Peyton and Cord lineage, they have been allowing him to believe in this falsehood, as it eventually turns out that Steven and Ann are siblings, the children of Hannah's husband Brian Cord and Catherine, who gave birth to them out of wedlock.[8] Ann had been sent away with Brian, and Steven had been adopted by Hannah, who pretended he was her son. Martin is the only one who knows this secret, but soon Betty finds out as well. She confronts them, but they beg her to keep silent, claiming the truth will ruin Steven's life. Betty reluctantly agrees, but the constant lying this requires makes Steven determined to think she is indeed secretly seeing Rodney. He even goes as far as filing for a divorce, until the truth is revealed.
In a very dramatic season finale, Allison leaves Peyton Place for good without saying goodbye to anyone. With Rodney having proposed to her only a few hours before, an angry Chris tells her that she is incapable of loving someone, which strikes a nerve making her realize his statement is true. Apparently giving up on the town where all her previous views have been shattered, from her nonexistent father to her own inability to commit to Rodney, the episode ends with her first spying on Rodney who obviously expects a happy life with her, and then slowly walking the road out of town to the show's main title music (reflecting in real life actress Mia Farrow's walking off the show to accommodate the desire of her then-husband Frank Sinatra).
With her exit being viewed simply as a disappearance, the townspeople immediately start to look for her, without any luck. Meanwhile, Lee has become the prime suspect of the murder regarding Ann. Chris turns his back on him, and becomes outraged when he finds out Steven will serve as his lawyer. Not only does he try to convince him to withdraw, but he also tries to push Sandy to stop protecting her husband.
Season 3 begins in color and at first focuses on Connie, who has to go into premature labor, and gives birth to a son, whom she names Matthew. Although she is happy for her, Rita desires to have a baby as well. Norman notices this and tells her that if she has a baby, he will have to drop out of college and work fulltime to support the family. As she feels that his education is very important, Rita abandons the idea and starts working as Matthew's babysitter instead. The primary focus of the third season is the trial called 'The people versus Lee Webber'. Steven, serving as Lee's attorney, is still bothered with a lot of criticism for defending him. The trial receives a lot of attention from the townspeople, mainly because of Martin Peyton's and Hannah Cord's testimonies.
Hannah tries to reconcile with Steven, but he does not let her in, giving her a hard interrogation instead. In the heat of this, she confesses that she is not Steven's and Ann's biological mother. She reveals that Catherine Peyton had an affair with her husband Brian Corby and gave birth to them. Martin tried to hide the scandal by hiring Hannah as her maid and letting her claim that Steven was her son. Ann was sent away with Brian, who was paid to keep silent. Furthermore, she claims that she saw Lee pushing Ann off the cliff. In the end, Hannah is denounced by her son and Lee is released on a technicality error. He returns home joyfully, but he is not welcomed by anyone anymore. Chris, determined his brother is a murderer, tries to kill him, but fails and almost shoots Steven, who notices his anger sends him away from Peyton Place. Lee is left by Sandy as well, who has filed for a divorce and starts dating Rodney.
The other main storyline in the third season involves Rachel Welles (Leigh Taylor-Young), a young woman who ran away from home. After being taken to Peyton Place, she reacts violently to everyone's attempt to get to know her. People soon start to notice that she is wearing Allison's bracelet, which makes Elliot and Rodney think that she knows more about her fate. Rodney forces her to tell the truth, but she claims that she found it somewhere. Not believing her, she is given a hard treatment, which estranges her from the people even more. Only Michael is able to get close to her. When he finds out that her uncle Jack Chandler (John Kellogg) abused her, he tries his hardest to protect her from him. He tries to make her return with him, which worries her a lot. She threatens to tell everyone that she found Allison's bracelet in his car if he keeps on harassing her, after which he gives up his legal claim to the custody of her.
After this, Rachel grows to become a happier woman, finally able to trust people. She moves into the Carson home, but soon notices that Elliot and Constance are quarreling a lot about her. Fearing that she might break up their marriage, she leaves the house and tries to end all confusion by trying to prove Chandler was responsible for Allison's disappearance. This leads her to his old farmhouse, where she is attacked by him. She is able to run away and returns to Peyton Place in tears. Elliot comforts her and finally admits that he wants to take care of her, even if she does not reveal any information on Allison. Following a period of peace during which she grows close to Michael, Rachel is again harassed by Chandler. In the end, he kidnaps her and it turns out Rachel has been lying the entire time because she accidentally killed her aunt Lucy, which was witnessed by Allison. She refused to speak about Allison, because talking about her, would have meant admitting to involuntary manslaughter. Rachel is able to escape, but loses her mind and thinks she is Allison. Michael finally decides to send her to a clinic in Boston. Meanwhile, Chandler is arrested by the police.
Following Ann's death trial as well as rescuing Martin Peyton from a fire at the Peyton Mansion set by a departing Hannah Cord (who torches the oil portrait of Catherine Peyton), Steven moves into the Peyton mansion with Betty, ostensibly to keep his enemy close. Peyton does the same with Lee, whom he hires as his chauffeur to eventually make him pay for killing Ann. Leslie, meanwhile, is unamused with Steven seeming to have become Peyton's favorite son. Fearing that he disinherited Rodney and Norman, Leslie blackmails Betty into breaking into his safe to find out more on his past, threatening to reveal a report which falsely claims that Betty was dating several men while in New York. The truth eventually comes out, and Leslie is denounced, while Betty is forgiven. Leslie continues his criminal actions by, under pressure, helping Chandler escape from jail. This is seen by Norman, who blackmails his father into giving him a job, so he can support Rita, who now is pregnant. Weeks later, it is reported Chandler has been shot down by the police.
At the end of the season, the town is stirred by the arrival of two people: Adrienne Van Leyden (Gena Rowlands) and Eddie Jacks (Dan Duryea). Adrienne is a widow who is hired by Peyton to break up Steven's and Betty's already unstable marriage by seducing Steven. Because Betty is immediately suspicious of her, Peyton comes up with a scheme of introducing her as his fiancée. However, Adrienne is able to seduce Steven and they start an affair. Meanwhile, Ada is unamused by the arrival of her estranged husband Eddie, who left her 19 years ago. He insists on getting back in touch with his daughter, and Rita is shocked when she meets him.
The primary foci of the series in the beginning of the season remain Adrienne and Eddie. Adrienne starts falling in love with Steven, which is noticed by Peyton, who criticizes her for her indulgence. During her stay in Peyton Place, several claims of Adrienne's notorious past are revealed. She is rumored to have driven her late husband to commit suicide and she has been paid multiple times for entertaining men. Betty eventually finds out about the affair and immediately leaves her husband, turning to Rodney. Uncertain because of Steven's frequent claims of his loyalty, Betty confronts Adrienne, during which Adrienne accidentally falls off the stairs. She dies on the night before her wedding to Peyton.
Meanwhile, Rita decides she wants to learn to know Eddie and starts to quarrel with Ada, whom she blames for never having met her father. Unlike Rita, most people in town are suspicious of Eddie's motivations on his return. Norman and Peyton blame Eddie for having returned to profit from Rita's marriage to a wealthy family, but Eddie claims he returned to make sure Rita will not get hurt by Norman. Because of Eddie's mysterious meetings with Leslie, Elliot thinks that Eddie may have had a connection to Chandler. Leslie, again thinking Peyton will change his will, offers Eddie money to kill Peyton. After a contract is signed, Eddie sets out to the Peyton mansion but is found hovering over Adrienne's body. He is shortly put in jail, until Steven, who serves as Eddie's lawyer, finds out Betty was in the mansion when Adrienne died.
Peyton soon comes to the conclusion that Leslie hired Eddie to kill him and convinces Lee to murder Leslie as revenge. When away, Peyton calls Leslie to warn him, and it turns out Peyton is planning on letting Lee and Leslie kill each other to make Lee pay for murdering Ann. Leslie shoots Lee in defense and a severely wounded Lee returns to the mansion to confront Peyton with his betrayal. The moment Lee is about to shoot Peyton, Steven comes in, and following a struggle, a shot is heard which kills Lee.
Later, Jill Smith (Joyce Jillson) comes to town with an infant she claims is Allison's baby, although in these pre-DNA times the child's parentage is never proven. She gives the care of the baby to the Carsons, much to Rodney's anger, who thinks the baby is his. It turns out she was in a scheme with Joe Rossi (Michael Christian), Michael's rebellious younger brother who came to town following some criminal activities gone bad in New York. When Jill admits the baby is hers, Connie suffers a mental breakdown and soon leaves town with Elliot.
Following a confrontation between Norman and Eddie, Eddie decides to leave town. Rita is shocked when she finds this out and collapses. After two surgeries it is revealed she suffered a miscarriage. Afterwards, she sinks into depression and has severe nightmares of Joe Chernak, caused by Joe Rossi, who resembles Chernak a lot. To recover, she contacts Reverend Tom Winter (Robert Hogan), who is unhappily married to his alcoholic wife Susan (Diana Hyland). Winter also serves as a support for Carolyn Russell (Tippy Walker), a rebellious teenager who has difficulty processing the divorce of her parents Marsha (Barbara Rush) and Fred (Joe Maross). She acts out by flirting with Joe and dating band member Jeff, which escalates when Marsha starts dating Michael.
Furthermore, Winter takes Jill under his care, encouraged by his wife. Susan hopes that by Jill seducing Winter, Winter would leave the ministry and spend more time with her. Winter is indeed seduced by Jill, which prompts him to leave the ministry and town altogether. Susan, realizing that she has lost her husband, breaks down and is hospitalized. Jill is surprised by the sexual tension and suddenly leaves the Winter house. The child welfare authorities interpret this event as instability and give the custody of her child to Norman and Rita. Steven, as her lawyer, tries to prove that Jill was actually the victim of Susan's plan, but he is more occupied with Rodney and Betty, who have married each other. He was once determined to break up their marriage, until Rodney was suddenly paralyzed after a car accident that Steven accidentally caused. He has been feeling guilty ever since and attempts to help him out, but Rodney refuses to interfere with him.
In the final year, Ed Nelson became the lead actor on the series, and many of the stories revolved around him. His relationship with Marsha becomes more serious, even though she is reluctant to take it to a further level, owing to Carolyn's disapproval. Carolyn continues to constantly hurt her mother's feelings for having left Fred, and one night, Marsha walks in on her almost having sex with Jeff. In panic, Marsha calls Fred for help, but he blames her for being a bad parent and threatens to sue for custody. This plan is aborted when Carolyn decides that she wants nothing to do with him any longer after finding out that her father is indeed an adulterer. Around the same time, Michael convinces Marsha that her life should not revolve around Carolyn's approval, and they become engaged.
Susan, desperate to save her marriage, threatens to ruin Jill's life unless Tom takes her back. Tom, however, files for divorce and starts working on the wharf. He is constantly bothered by Joe, who holds him responsible for Jill having lost her baby. Despite his behavior, Joe reconciles with Jill, and they marry. Afterwards, they regain custody and happily leave town. Susan, meanwhile, turns to Steven for comfort, and after a short-lived affair, she plans on marrying him and moving into the Peyton mansion, even though Betty tries to buy the same mansion - with the money she has inherited from Martin Peyton, who has recently died - to drive Steven out of town. She does this because Rodney is convinced that - while he is in hospital trying to regain movement in his feet - she is having an affair with Steven. Norman suspects the same, which upsets Rita. For a short while, Betty is able to convince him otherwise, until Steven - bitter over having inherited nothing from Peyton, plots to ruin Betty's life.
During all this, an African-American family is introduced into town: Dr. Harry Miles (Percy Rodriguez), his wife Alma (Ruby Dee) and 17-year-old son Lew (Glynn Turman). Harry and Alma are worried about Lew, whose behavior has drastically changed since a vacation in New York. Unlike in the past, Lew does not communicate with his parents anymore and has no desire of becoming a doctor. He struggles with his racial identity, and carries a dark secret from New York that involves Vickie Fletcher (Judy Pace), who comes to town, and announces her pregnancy. Wanting her baby to grow up in a stable environment, she blackmails Lew into marrying her, threatening to claim that he caused a car accident if he does not, even though Lew did not cause it.
In the final episode (which is notably more rushed from scene to scene than any other in order to tie off a lot of loose ends within one episode), Ed Nelson's character Michael Rossi goes on trial for a murder he did not commit. Shockingly he is convicted. Lew who has been contemplating giving himself up for the violent act he inadvertently committed at a New York protest years earlier, wonders if the system can convict this very popular White doctor, what chance at fairness he as a Black man will have upon his confession. After discussing it with his father, the two bravely decide to go through with the confession anyway. The series ends with Dr. Rossi sitting alone in his prison cell beginning what is expected to be a long sentence.
Thomas was Martin Peyton's chauffeur, originally portrayed by James Doohan from "Star Trek" in about a dozen episodes; just one episode after Thomas leaves town on an errand, another "Star Trek" actor, Nichelle Nichols turns up for two episodes as Martin Peyton's nurse. Later Doohan returned for an episode before the character Thomas was taken over by another actor.
Another recurring policeman character was portrayed by Greg Morris.
The member of the parole board who contemplates the release of Eliott Carson was portrayed by Dabbs Greer.
A future Academy Award-winning actor who had two brief appearances on the series was Richard Dreyfuss. In one early episode he is seen dropping stacks of the newspaper The Clarion from the back of a delivery truck. In the episode in which Rodney and Allison are preparing to graduate from high school, he has dialogue as an annoyed student who has been waiting for them as they are the last ones to pick up their caps and gowns.
When the show premiered in 1964, Peyton Place aired twice a week. Both installments of the show were Top 20 hits in the Nielsen ratings and this inspired ABC to air the show three times a week starting in the fall of 1965. This move caused trouble for people who followed the show religiously, and many people tuned out. The season ratings for Peyton Place never rose into the Top 30 again and the serial's production was dropped back to two episodes a week. In 1969, with the show losing viewers with each episode, Peyton Place aired in one installment a week until the final episode was shown in June.
The show was one of the first seen on US network television to talk about sex and infidelity in a frank manner. As such, ABC executives would only allow the show to be aired at 9:30 p.m. Eastern/Pacific time, a time at which many children and teenagers were expected to be in bed. With the show in a ratings slump in 1968, the show was moved to 8:30 p.m. in order to draw the viewers they once had shunned.
The series was revived as a daytime serial from April 3, 1972 to January 4, 1974 as Return to Peyton Place. Three of the actors from the primetime series reprised their roles on the daytime series – Frank Ferguson as Eli Carson, Patricia Morrow as Rita Harrington, and Evelyn Scott as Ada Jacks. However, the daytime series did not prove to be as successful as the primetime series had been.
Two television movies followed. The first; Murder in Peyton Place was broadcast on NBC in the fall of 1977. Billed as a reunion movie it focused on the mysterious deaths of Rodney Harrington and Allison MacKenzie, as well as a diabolical plot of a powerful person to ruin the community. It reunited original cast members Dorothy Malone, Ed Nelson, Tim O'Connor, Joyce Jillson, and Christopher Connelly. The second; Peyton Place: The Next Generation which aired in the spring of 1985 on NBC, was conceived as a one-shot sequel, that would hopefully revive the popular series and was therefore also promoted as a television pilot. Although a new series of the show never came to fruition; the film did reunite original cast members Dorothy Malone, Ed Nelson, Tim O'Connor, James Douglas, Christopher Connelly, Ruth Warwick and Barbara Parkins, who had declined to appear in Murder in Peyton Place.
Peyton Place: Part One, was released on May 19, 2009 by Shout! Factory as a five-disc set containing 31 half-hour episodes.[10] Shout! Factory released Peyton Place: Part Two, a five-disc set including 33 half-hour episodes, on July 14, 2009.[11]
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